THE WORK REMAINS is Colophon seen from the author's side. Every work begins as one room; publishing gives it walls, a date and a place to be found.
The film is built from the author's own published record: every title in a lintel, every date in a sill, every revision id and first sentence cut into a wall is real, taken from the live product. Revising a work opens the room behind it; committing is not publishing; every change carries the author's own note; an edition is sealed on the day it is published and the earlier one stays, still naming the publisher it had.
Room by room it becomes a place that can be walked through. Membership reaches forward and never backwards. The work remains.
Every work begins as one room.
Publishing gives it walls. A date. A place to be found.
You are admitted here before any money enters it.
Admission is what opens the door.
Revising a work does not repaint the room.
It opens the room behind it.
Committing is not publishing. You choose what the public reads.
Every change carries a note you wrote. There are no anonymous changes.
An edition is sealed on the day it is published.
Changing it after that means a new edition, not an edit. The earlier one stays, still naming the publisher it had.
Room by room, this becomes a place that can be walked through.
A room still being built can stop being built.
Membership reaches forward. It never reaches backwards.
The work remains.



